LOVE CAMP 7
TAG LINE : A PLACE OF TOTAL DESPAIR!
RELEASED BY ABBEY VIDEO
CATORGRY NUMBER :
RUNTIME : 91 MINUTES 51 SECONDS
AKA : CAMP 7, LAGER FEMMINILE AND CAMP SPECIAL NO.7!
DIRECTOR : ROBERT LEE FROST
COUNTRY : USA
YEAR : 1968
STARRING : R W CRESSE, MARIA LEASE, KATHY WILLIAMS AND BRUCE KEMP
Very camp (get it camp!) and silly Nazi love camp flick, which is just an excuse for the usual barrage of tits and ass. Released way back in 1968 on the Abbey label, and more scarcely, the Market label.
The story involves two young women who go undercover into a Nazi concentration camp for women, in order to find the whereabouts of a female scientist who is being held there. As this was made in the 60s, we get the usual mix of blurred, vivid colours on the screen, and crap music, as well as the women wearing great big bloomers rather than modern-day knickers!
The film kicks off in the office of a British businessman, who relives the story of a German scientist, whom developed a jet fighter engine, and his assistant Martha Grossman. As long as the scientist remained alive, he could protect Grossman – but before completing his research, he died, so she ended up in a concentration camp known as Love Camp 7. As she knows the secrets of the scientist’s research, the Allies are keen to get her out of there safely.
In the female “prison” the women’s sole purpose is to act as prostitutes to the Nazi soldiers, and in here we get treated to some bizarre scenes like a woman being punished by being made to sit on a pointed table for hours until her muff is streaming with blood, the ruling officer of the camp showering the naked women with a fire hose, lots of baldy fat blokes raping the busty birds and a bit of a lesbian show as well, which is thrown for a high-ranking officer when he visits the camp.
Overall, pretty lame stuff – although quite shocking for 1968. Any
fans of the genre would be well advised to avoid Love Camp 7 and the similar
SS Experiment Camp, and try and get hold of The Gestapo’s Last Orgy,
which is so much better.
WRITTEN BY TONY FRIZZELL
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